- Shopping Cart
-
- Wish List
- Store Locator
Mule Variations
January 06, 2004
From All Music Guide: Recording Info: Prairie Sun Recording Studios; Sputnik Sound
![]() |
![]() |
|
|---|---|---|
| 1. Big in Japan | Listen | Listen |
| 2. Low Side of the Road | Listen | Listen |
| 3. Hold On | Listen | Listen |
| 4. Get Behind the Mule | Listen | Listen |
| 5. House Where Nobody Lives | Listen | Listen |
| 6. Cold Water | Listen | Listen |
| 7. Pony | Listen | Listen |
| 8. What's He Building? | Listen | Listen |
| 9. Black Market Baby | Listen | Listen |
| 10. Eyeball Kid | Listen | Listen |
From All Music Guide:
Tom Waits grew steadily less prolific after redefining himself as a junkyard noise poet with Swordfishtrombones, but the five-year wait between The Black Rider and 1999's Mule Variations was the longest yet. Given the fact that Waits decided to abandon major labels for the California indie Epitaph, Mule Variations would seem like a golden opportunity to redefine himself and begin a new phase of his career. However, it plays like a revue of highlights from every album he's made since Swordfishtrombones. Of course, that's hardly a criticism; the album uses the ragged cacophony of Bone Machine as a starting point, and proceeds to bring in the songwriterly aspects of Rain Dogs, along with its affection for backstreet and backwoods blues, plus a hint of the beatnik qualities of Swordfish. So Mule Variations delivers what fans want, in terms of both songs and sonics. But that also explains why it sounds terrific on initial spins, only to reveal itself as slightly dissatisfying with subsequen...
Portions of Content Provided by All Music Guide ®, a registered Trademark of All Media Guide, LLC.




