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In a State of Jazz
May 13, 2008
From All Music Guide: Recording Info: Henry Wood Hall, London
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| 1. Play Piano Play, excercises (10) for piano: No. 1. Moderato | Listen | Listen |
| 2. Sonata for piano No. 2, Op. 54: Allegro molto | Listen | Listen |
| 3. Sonata for piano No. 2, Op. 54: Scherzo: Allegro assai | Listen | Listen |
| 4. Sonata for piano No. 2, Op. 54: Largo - Allegro | Listen | Listen |
| 5. Sonata for piano No. 2, Op. 54: Allegro vivace | Listen | Listen |
| 6. Play Piano Play, excercises (10) for piano: No. 4. Allegro ma non troppo | Listen | Listen |
| 7. Sonate en etat de jazz, for piano: Evocation d'un tango | Listen | Listen |
| 8. Sonate en etat de jazz, for piano: Réminiscence d'un charleston | Listen | Listen |
| 9. Sonate en etat de jazz, for piano: Reflets d'un blues | Listen | Listen |
| 10. Sonate en etat de jazz, for piano: Provocation de samba | Listen | Listen |
From All Music Guide:
Marc-André Hamelin's Hyperion disc In a State of Jazz is not an example of a classical pianist letting his hair down, nor attempting to fuse jazz with classical music, or to create something a tad more commercial than, say, an album of Tausig transcriptions. This collection features works by four classical pianist-composers -- Friedrich Gulda, Nikolai Kasputin, Alexis Weissenberg, and George Antheil -- who fashioned piano music "in a state of jazz," though in fully notated form. The one exception to the rule is Alexis Weissenberg's Six arrangements of songs sung by Charles Trenet, which first appeared on a 45 rpm record in the 1950s credited to "Mr. Nobody." This was Weissenberg, who was attempting to protect his career as a classical piano virtuoso through hiding under this made-up name; he did not write down these arrangements, and Hamelin has transcribed them from the record himself. Weissenberg's impulses were correct; had he released his jazz music under his own name it very well ...
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